Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the. Check out Gubaidulina: In Croce / 10 Preludes / Quaternion by Alexander Ivashkin on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. “Written over a span of forty years, these compositions by Sofia Gubaidulina have become staples of the double bass literature. In Pantomime one immediately.
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Sexy Trippy All Moods. Later on, Gubaydulina began to incorporate the bayan, the Russian push-button accordion, into her works, and she and bayan player Elsbeth Moser rearranged In croce for cello and bayan in One of the many works in which Sofiya Gubaydulina makes reference to Christian themes and imagery, In croce was composed in for cellist Vladimir Tonkha, who, along with organist Oleg Yanchenko gave the work its first performance in the concert hall of the Moscow Conservatory.
In Croce; Seven Last Words.
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Sofia Gubaidulina – In Croce
The work’s title can mean either “On the Cross” or “Cross-Wise,” and it carres a musical meaning, along with the obvious Christian one. AllMusic Featured Composition Noteworthy. Streams Videos All Posts.
After some wild playing from both instruments, the mood grows hushed again; dissonant chords in the organ accompany the barest of textures from the cello as they both converge again on E. As the work progresses the two instruments begin to froce each other, eventually crossing in the most aggressive passage.
Gramophone products and those of specially selected partners from the world of music. Composition Artist Credits Seven Words. AllMusic relies heavily on Gubaidullina. The work’s ending is quiet and somber. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.
Share on facebook twitter tumblr. With In crocea number of cross-like ideas derive from the title — crossing of registers, crossing of lines and textures un so on — which are essentially private creative stimuli for the composer.
SOFIA GUBAIDULINA : In Croce – Works for Double Bass – CD – WERGO – Forced Exposure
Romantic Evening Sex All Themes. Gramophone’s expert reviews easier than ever before. Seven Words; Silenzio; In Croce. Both instruments center their activities on the note E. Et exspecto Spanish performers in spiritual utterances from Gubaidulina View record and artist details Record and Artist Details.
In croce; Quaternion; Ten Preludes.
GUBAIDULINA Seven Words. In croce. Kadenza. Et exspecto
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Skip to main content. Chamber Music with Double Bass. Sofia Gubaidulina, Galina Ustvolskaya: Genre Chamber Music Classical.
This is a remarkable, compelling ghbaidulina. But in the major gibaidulina on the record, the half-hour Seven Wordsthe sentences spoken by Jesus on the cross are graphically, even fervently implied. Roughly speaking, the organ or bayan begins the work playing comparatively diatonic music in the upper part of its register, while the cello plays spare tones in its lower register. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.